A woman and her daughter open a chocolate shop in a small French village that shakes up the rigid morality of the community.

In a hospital on the outskirts of 1920s Los Angeles, an injured stuntman begins to tell a fellow patient, a little girl with a broken arm, a fantastic story of five mythical heroes. Thanks to his fractured state of mind and her vivid imagination, the line between fiction and reality blurs as the tale advances.

At a home for retired musicians, the annual concert to celebrate Composer Giuseppe Verdi's birthday is disrupted by the arrival of Jean (Dame Maggie Smith), an eternal diva and the former wife of one of the residents.

Seven elderly Britons, for a variety of reasons, respond to an online ad and travel to Jaipur, India, where they find run-down hotel with a young, exuberant, and optimistic host. Evelyn Greenslade (Dame Judi Dench), newly widowed, wants a low-cost experience, Graham Dashwood (Tom Wilkinson) seeks a long-ago love, Douglas Ainslie (Bill Nighy) and Jean Ainslie (Dame Penelope Wilton) have lost their pension in a family investment, Muriel Donnelly (Dame Maggie Smith) needs cheap hip surgery, Madge Hardcastle (Celia Imrie) seeks a rich husband, and Norman Cousins (Ronald Pickup) is chasing women. India affects each in different ways, enchanting Douglas and Evelyn while driving Jean deeper into bitterness. Their host, young Sonny (Dev Patel), has dreams but little cash or skill; he also has a girlfriend whom his mother dismisses. Stories cross and discoveries await each one.

An eighteenth century drama details the scandalous life of Lady Seymour Worsley.

As the Best Exotic Marigold Hotel has only a single remaining vacancy - posing a rooming predicament for two fresh arrivals - Sonny pursues his expansionist dream of opening a second hotel.

A young refugee traveling from Russia to America in search of her lost father falls for a gypsy horseman.

Encounter of three social classes of England at the beginning of the twentieth century: the Victorian capitalists (the Wilcoxes) considering themselves as aristocrats, whose only god is money; the enlightened bourgeois (the Schlegels), humanistic and philanthropic; and the workers (the Basts), fighting to survive. The Schlegel sisters' humanism will be torn apart as they try both to softly knock down the Wilcox's prejudices and to help the Basts.