n3b13 : this show is f@#$ing stupid, worst acting and writing ever
Jirido : You are talking about the death trap.. Yeah I know it. Fortunately there are also sensibl...
acatinthehat : Wonder how long tech has been sufficient for something close enough to already have been h...
Bloody El : Better yet... Don't have kids. Works for me!
prole : they gave away the ending in the title
Farmboy41 : Saw this at the drive-in when I was 9 in the back of the family station wagon. ...
Toonaholic : If ya still had that station wagon, it would prob be worth a small fortune in mint cond......
MelBert8929 : Saw this when I was younger and I loved the robot's, Huey, Dewey and Louie.
yellow_rose1 : Thanks for mentioning this, I don't know if I watched it or not so I put it on my watch li...
In the canon of Heist films up until this point, this one by Michael Mann stands alone and is a masterpiece not only as a crime story but also in firearms realism. Fast forward to 1995 and you get the the all time heavyweight champion of heist films, Heat, which is not only a masterpiece of crime fiction but also again, in firearms realism and urban combat. The Shootout at the bank job is pure perfection. Michael Mann as a Director stands alone in terms of firearm realism in film, no contest.
I guess it’s a case of “each to his own” with regard to what makes a classic. You obviously give much higher priority to firearms realism. I appreciate that quality, in all action films. But for heist films in particular I give more priority to the creativity of the heist. That’s why Topkapi, which predates Thief and Heat and The Italian Job, is the seminal film of the heist genre, IMHO.