Carlos is the head of an advertising agency in Santo Domingo who has an extramarital relationship with Monica, a model he met in a casting for a toothpaste commercial, and the relationship goes on without further setbacks until one day he brings his lover to an abandoned house, located in the outskirts of the city, in which he lived there during his childhood and adolescence. Mónica realizes that in many of the walls of the house there are disturbing children’s drawings of men and women masked to what Carlos explains that, at that time, his parents gave frequent masked dances that ended up becoming bacchanalians.